Thursday, April 14, 2016

CAT tools and translation style

Most professional translators use Computer Assisted Translation (CAT) tools. Many of the translators who don't use CAT tools, however, claim that CAT tools are useless for more creative translations: no time is saved by translation memories – no repetitions, fuzzy or 100% matches – while using the tool weakens the translator's writing style.

I believe that these translators are both right and wrong. Yes, segment matching is less useful for translating documents that are not repetitive, but the use of translation memory is still of great help even for texts that are not repetitive at all: concordance search – offered by all translation memory tools – is what helps most, here: it lets us see in our translation memories how we translated similar words or phrases before, even in sentences that are not close enough to the one we are translating to appear as a fuzzy match.

On the other hand, indiscriminate use of CAT tools, especially in documents that need a more creative approach, may hamper translation style if the translator uses the CAT tool as he would normally use it for technical texts.

One of the drawbacks of CAT tools is that they make it far too easy to carry over the sentence structure of the source language into the target language. CAT tools offer segment joining and splitting as a partial remedy, but busy translators working under time pressure seldom use these features, which, in certain instances, are not available (usually you cannot join across hard returns), or are cumbersome: what if you need to move the first sentence of a paragraph to the end of the same paragraph? You cannot do that by just joining two sentences together.

Other drawbacks are:
  • Using the same sentence order in the target language as in the source language;
  • Using the same number of sentences in the target language as in the source language (even when the target language text would be better by joining or splitting sentences);
  • Letting the sentence structure in the source language affect the target language – for example, use of a sentence pattern in the translation that is similar to the sentence pattern used by the source language, even when a different sentence pattern might be better in the target language;
  • Writing numerals in the target language the same way as in the source language – even when the two languages may differ on such things as the separators used for thousands and decimals, or which numbers should be spelled out and which should be written in digits;
  • Patterning punctuation and capitalization in the target language after the source language – for example, use of capitals after a colon when translating English into Italian, or leaving a space before a colon when translating from French;

All these kinds of problems (against which translators should pay attention even if they do not use CAT tools) are exacerbated because text segmentation makes it more difficult to see the structure of the page, especially when using more modern tools like Studio or memoQ that use a table approach – MSWord-based tools such as Wordfast Classic make it easier to see where on the page any given sentence goes.

So, if concordance is the feature that best helps translators of more creative texts, but slavish adherence to the source structure is what may most hamper them, what's the alternative?

  • For certain translators the answer is "don't use CAT tools", but what if you want to take advantage of CAT tools helpful features without risk damaging the beauty of your translation? I believe that an answer is the following workflow:
  • First you change the segmentation rules in the translation tool, to segment not at the sentence, but at the paragraph level. If the segment on which you are working is an entire paragraph, the tool cannot lull you into using the same number of sentences, the same sentence structure or the same sentence order as the source text. You are free, for example, to move text from the beginning of a paragraph to the end, if that better suits your style.
  • After changing segmentation, next you should consider the translation produced in the CAT tool as a mere draft to be exported and fine-tuned outside the tool: this way you can perfect your final version in a word processor without being distracted by the sentence-to-sentence pairing offered by the CAT tool.
  • After revising your translation as a standalone document, you should finish your work by comparing it to the source, to make sure the meaning and style of the original are conveyed and preserved in the target.
  • Finally, in this workflow you create an updated translation memory by aligning the source text to the final draft produced outside the CAT tool. This way, your translation memory is up to date, and available for future projects, while your translation does not suffer the stiffness that may be introduced by mechanical use of CAT tools.


While I propose paragraph segmentation, I know that other translators who use CAT tools for creative translation prefer to start with normal segmentation. That way they are sure not to miss any sentence, and they take care of any necessary changes to sentence structure afterwards, when they revise their translation outside the CAT tool.


Both options of this workflow are illustrated in the following diagram:

Summary workflow for the use of CAT tools in creative translation
Summary workflow for the use of CAT tools in creative translation
I've deliberately not given step-by-step instructions for specific CAT tools: Paul Filkin in his excellent blog  Multifarious already described how to use Studio for a similar purpose in his article Translating Literature... and you can adapt this method to other CAT tools.

Bear in mind that while this approach may suit transcreation or creative translation, it is not what works best when dealing with technical translations: it is a technique that helps slow you down, not speed you up. For most freelancers, it would give flexibility with one hand while taking away speed with the other. Besides, in technical, legal and most other commercial translations, preserving a similar structure between source and target is usually a good thing.

2 comments:

  1. A useful discussion, thanks for sharing. I'm impressed by your resolution to keep as much of the work as possible within the CAT tool. I do use a CAT tool (OmegaT) for all my translations, and like you, I do worry about the source-in-target structure that inevitably ensues, though it should be noted that this isn't necessarily a bad thing for the client who would like to compare the two versions. And at base, CAT tools are the best way of avoiding errors of omission (skipping a sentence or term) that would otherwise inevitably occur from time to time in a busy workflow.

    I then treat the output of the CAT tool as a inter-language document, don an editorial cap emblazoned "skopos" and, thinking "What has this bizarre translator written for me now?", revise most freely. This seems to work. I do check back against the CAT version if I think my editor is diverging too far from the source author's actual intention, but I don't worry too much about subsequent re-alignment: for me it's either a 100% rep, or something that's probably going to need a tweak later anyway.

    And a question: doesn't selecting paragraph-level segmentation reduce your chances of subsequent fuzzy matching to near zero?

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    Replies
    1. Yes, paragraph-level segmentation does reduce your chances of fuzzy matching to near zero, but then if you use such segmentation only for creative kinds of text, the chances of fuzzy matches being useful are pretty low to begin with.

      For "normal" texts, where repetitions and fuzzy matches are likely, of course normal segmenation is to be preferred.

      Interesting that you work with Omega-T: originally it used paragraph segmentation by default, and sentence-level segmentation became default only later.

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